With a big battery, outstanding cameras and the largest screen ever on an iPhone, the 12 Pro Max has big phone energy.
The iPhone 12 Pro Max ($1,099 at Amazon) follows in the footsteps of the 7 Plus and gets camera upgrades that none of the other iPhone 12 models have. At its core the iPhone 12 Pro Max, like all the phones in the iPhone 12 family (the iPhone 12, iPhone 12 Pro and iPhone 12 Mini), has a bunch of things going for it like a new flat-sided design reminiscent of the iPhone 5 ($45 at Back Market) and iPad Pro. It has support for 5G, an OLED screen with support for HDR, a ceramic shield covering, an A14 Bionic processor, support for MagSafe wireless charging and it can be submerged to a depth of 6 meters (just under 20 feet) for up to 30 minutes. If you want a deeper assessment of any of these features, take a look at my iPhone 12 and 12 Pro review.
But at a starting price of $1,099 (£1,099, AU$1,849), or a hundred dollars more than the iPhone 12 Pro, this is the question: Are camera upgrades on the 12 Pro Max worth the extra money? The short answer is yes, but not just because of the camera.
If you want the largest screen on any iPhone ever made, the 12 Pro Max is worth the price. If you value having the longest battery life on any iPhone 12, the 12 Pro Max seems like an obvious choice. And yes, if you want to get every last drop of image quality out of your photos and videos, then the iPhone 12 Pro Max is definitely worth it and has earned CNET's Editors' Choice.
The iPhone 12 Pro Max has a gigantic screen
Despite being only 2 grams heavier than last year's 11 Pro Max, the iPhone 12 Pro Max feels even more solid and well-built. The flat edges, the matte-etched glass back and stainless steel sides are another level of premium fit and finish. The review unit I tested was gold, and the polished sides looked like C-3PO on his best day. But make no mistake, this is a big phone. If you dropped it on someone there's a chance they'd sustain a serious injury.
Defining all this premium bigness is a 6.7-inch OLED screen, which is larger than the 6.5-inch one found on the 11 Pro Max and XS Max ($1,100 at Boost Mobile). The new screen makes the 12 Pro Max a sliver taller and, along with those flat edges, gives the behemoth iPhone a tight robust look.
On the back of this chonky phone is a camera bump that's thicker than an SD card. When the 12 Pro Max is on its back, there's a noticeable gap between the phone and the surface it's on. I realize most people are going to put a case on it, which will level things out.
The 12 Pro Max has the longest telephoto lens found on any iPhone
When Apple announced the iPhone 12 lineup there was a little confusion about which phones had which camera. But here's how it all breaks down. All four phones have the same ultrawide angle and selfie cameras. All four phones have a faster f1.6 aperture lens on the main wide angle camera. That said, the wide-angle camera on the 12 Pro Max is different, which I'll get to in a moment. The 12 Pro and 12 Pro Max also have a lidar sensor, which helps with autofocus in low-light for photos, video and slow motion as well as AR apps. Last, both the 12 Pro and 12 Pro Max have a third rear camera with a telephoto lens, but the lens on the 12 Pro Max is longer than the one on the 12 Pro.
At a 65-millimeter equivalent, the new telephoto lens on the 12 Pro Max has a 2.5x optical zoom. Compare that to the 52-millimeter equivalent telephoto lens on the 12 Pro, which has a 2x optical zoom. And that 0.5x extra goes a long way. It's definitely nowhere close to the 5x optical zoom on the Galaxy Note 20 Ultra, but I was glad to have a little more reach on the iPhone.
Taking photos where there isn't a lot of light is a weakness of any camera. And the smaller the camera (like the ones on a phone) the more this weakness is amplified. The cameras on the iPhone 12 Pro Max seem built around the singular goal of taking outstanding photos and videos in medium and low-light situations.
One way Apple has addressed this is to give the main wide-angle camera on the 12 Pro Max a larger sensor. Combined with an f1.6 lens, the new sensor gets an 87% improvement in low-light capability, according to Apple. On paper that's impressive. To help things further, the 12 Pro Max has sensor-based optical image stabilization instead of the lens-based OIS found on the 12, 12 Mini and 12 Pro. By stabilizing the sensor, Apple claims you gain the equivalent of a stop of light, which again, on paper is impressive.
Source:CNET
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